Diane Keaton just published her new memoir, Then Again, which talks about her early relationship with director Woody Allen. The couple fell in love during the Broadway run for his Play It Again, Sam and broke up soon after, but their filmic twosome lasted through 1993′s Manhattan Murder Mystery. Their greatest collaboration, however, remains Annie Hall, which Allen insists is not autobiographical, but the real-life similarities are certainly obvious. Genuine to the core, Annie Hall is one of the greatest screen love stories ever told and certainly one of Allen’s best films.

“Most people assumed Annie Hall was the story of our relationship. My last name is Hall. Woody and I did share a significant romance, according to me, anyway. I did want to be a singer. I was insecure, and I did grope for words,” Keaton recently told Vogue magazine. “After 35 years, does anybody care? What matters is Woody’s body of work. Annie Hall was his first love story. Love was the glue that held those witty vignettes together.”

What other off-screen couples made memorable partners on-screen? Past the break we pick a few of our favorites. Share yours with us below.

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The 49th annual New York Film Festival drew to a close last night with screenings of The Descendants, the new (and rather wonderful) comedy/drama from director Alexander Payne (Sideways, Election, About Schmidt). Its centerpiece performance is a magnificent, nuanced turn by George Clooney, but there’s another one well worth mentioning: that of Shailene Woodley, the heretofore-unknown-to-your-author actor (she apparently co-stars on The Secret Life of the American Teenager, whatever the hell that is) who plays his 17-year-old daughter Alexandra. Woodley appears in nearly as much of the picture as Clooney, in a role just a complicated and difficult as his, and in scene after scene, she just nails it. Woodley’s complex (and relatively unsung, thus far anyway) performance puts a final spotlight on perhaps the most encouraging trend at this year’s NYFF: a rich assortment of extraordinary female performances.

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Editor’s note: Welcome to The Fug Report! Each week our fashion blogger friends Heather Cocks and Jessica Morgan, the sartorial geniuses behind Go Fug Yourself, will feature some of their favorite looks of the week in this space. We hope you enjoy it!

This week over on Go Fug Yourself, we continued tracking the costumes and the shenanigans on Ringer, and the formal shorts and half-assed medicine of Hart of Dixie. We looked at China Chow’s wardrobe in Season 2 of Work of Art so far. We cast an eyeball over Pippa Middleton, considered breaking up with Lucky magazine, and wondered what happened to Taylor Lautner — his new GQ cover is so glum and charmless! We checked in on Michelle Williams. (Don’t worry: No matter what we think of her outfit, she’s doing just fine.) And finally, we gave much-deserved props to Zoe Saldana for wearing what is almost a modernized version of Julia Roberts’ Pretty Woman polo outfit.

Welcome to “Trailer Park,” our regular Friday feature where we collect the week’s new trailers all in one place and do a little “judging a book by its cover,” ranking them from worst to best and taking our best guess at what they may be hiding. We’ve got six new trailers this week, and — for the first time in the feature’s history — they all look varying degrees of worthwhile. Check ‘em out after the jump.

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Editor’s note: Welcome to The Fug Report! Each week our fashion blogger friends Heather Cocks and Jessica Morgan, the sartorial geniuses behind Go Fug Yourself, will feature some of their favorite looks of the week in this space. We hope you enjoy it!

This week, on Go Fug Yourself, we ogled Ryan Gosling. We also took a look at the costumes on Ringer, and wondered why the wardrobe department on Desperate Housewives hates Vanessa Williams so much. We admired (…sort of) Beyonce’s pregnant style, and checked in with Kate Middleton. We complained about the Vogue cover featuring Michelle Williams-as-Marilyn, and wondered what the heck people were thinking at London Fashion Week. We raised a brow at Faith Hill’s Sunday Night Football look, and, finally, anointed possibly the worst outfit we’ve seen all year.

Earlier this week, we gave you a sneak peek at the gorgeous photos Annie Leibovitz shot of Michelle Williams as Marilyn Monroe for the October issue of Vogue, in support of her upcoming role as the sex symbol in My Week with Marilyn. We think Williams is pretty convincing as Monroe, and without having seen the film yet, we’re betting on her as one of the best. But the photographs got us to thinking about the other faux-Marilyns who have graced the big and small screen, to varying success. Click through to see some of the most prominent examples, and let us know who played her best in the comments.

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Ever since we heard that Michelle Williams would be playing the lead role in the upcoming film My Week with Marilyn, we’ve been curious if she’d be able to do such an iconic figure justice. No disrespect to her acting chops intended — it can be difficult to embody characters who are so entrenched in pop culture without it coming off as caricature (see: David Bowie as Andy Warhol in Basquiat). If this Annie Leibovitz-shot feature in the October issue of Vogue is any indication, then at the very least Ms. Williams has nailed the aesthetics of the part.

“As soon as I finished the script, I knew that I wanted to do it, and then I spent six months trying to talk myself out of it,” she tells interviewer Adam Green. “But I always knew that I never really had a choice… I’ve started to believe that you get the piece of material that you were ready for.” Click through to check out the images, and let us know in the comments what you think of her take on Marilyn.

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Editor’s note: Welcome to The Fug Report! Every Friday our fashion blogger friends Heather Cocks and Jessica Morgan, the sartorial geniuses behind Go Fug Yourself, will feature some of their favorite looks of the week in this space. We hope you enjoy it!

This week on Go Fug Yourself, we compared Miranda Kerr and Michelle Williams, and because it wasn’t an acting contest, Miranda took it in a walk. We worried about the state of The Hunger Games, given the state of Peeta and Gale on this week’s cover of Entertainment Weekly. We never, however, worry about Mila Kunis, who looked as pretty as ever in Moscow, or Julianne Moore, who is generally awesome regardless of her wardrobe. We began to wonder if maybe, contrary to what we had been led to believe, Jessica Biel was ALSO awesome, as she was game enough to wear this ridiculous fake mustache. And we agreed that this wax figure of Brad Pitt is categorically not awesome, unless by “awesome,” you mean “really creepy.”

Everyone loves “strong female characters.” From Jane Eyre to Veronica Mars, they’re so urgently desired and highly praised that they’ve practically become a brand: tough, intelligent women who can probably both beat you in a physical fight and outsmart you in a battle of wits. What’s not to like? But in an essay for last weekend’s New York Times magazine, Carina Chocano says she’s had enough of them. In fact, she argues, these “tough, cold, terse, taciturn” ladies have become so pervasive that we’re now suffering from a dearth of weak female characters — complex, well-written women who happen to also be meek, feminine, neurotic, or otherwise imperfect. Although we’re big fans of strong female characters, we have to admit that some of the most fascinating women in literature, film, and TV would never fit that description. Ten of our favorites are after the jump.

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1. In case you’re curious as to what happens in Oprah’s second and third final shows, The Hollywood Reporter was part of the 20,000-person, celebrity-filled crowd at yesterday’s four-hour taping, and has a detailed record of the entire thing (which includes Aretha Franklin performing “Amazing Grace”!). The episodes will air on May 23rd and 24th.

2. Danish director Lars von Trier loves saying crazy things to journalists, especially when he’s at Cannes. Lucky for us, Vulture has rounded up the 10 most controversial things he said at the Melancholia press conference, which includes some rambling about being a Nazi and his sympathies for Hitler.

3. The Austin City Limits music festival has announced its 2011 lineup, and it includes headliners Stevie Wonder, Arcade Fire, Coldplay, and Kanye West. [via Pop Candy]

4. The Who’s Pete Townshend will release his long-awaited memoir Who He? — which he has been working on for 15 years now — in the fall of 2012. Regarding a 2003 child pornography incident, which was part of his “background research,” he now says: “I believe I was sexually abused between the age of five and six and a half when in the care of my maternal grandmother who was mentally ill at the time. Some of the things I have seen on the internet have informed my book.” [via NME]

5. So this bodes well: Michelle Williams will play Glinda the Good Witch in Sam Raimi’s Wizard of Oz prequel, Oz, the Great and Powerful. She joins a cast that already includes James Franco (The Wizard), Rachel Weisz (the Wicked Witch of the East), and Mila Kunis (The Wicked Witch of the West). [via Moveline]

Bonus link: Download Bon Iver’s 10 Best Cover Songs