Quentin Tarantino may be a genius, but the dude’s got weird taste; witness, for example, his video list of the best films of the 1990s, which included the Woody Allen/Jason Biggs movie Anything Else (a flick that even Woody’s fans didn’t like, and we’re a tolerant bunch). And who knows, maybe his oddball sense of what’s good and what’s bad has led to his distinctive voice and style as a filmmaker; soaking up all those bad kung-fu movies and grindhouse epics was, no doubt, part of why he is this director he is. So, y’know, we’ve cut the guy some slack over the years for his weirdo advocacy.

You’ve got to draw a line somewhere, though. And we’re drawing it at his “Best of 2011″ list.

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The Simpsons are among pop culture’s most protean characters; if they weren’t, the show’s writers surely would have run out of story lines over a decade ago. So it’s no surprise that the Internet has taken one of America’s most iconic fictional families and run with it. In the past few months alone, we’ve seen The Simpsons mashed up with Breaking Bad, portraits of the sitcom’s characters as famous works of art, and — most bizarre of all — bizarre photo manipulations that transform celebrities into Simpsons. But we are especially amused by DeviantArt’s Claudia-R, who has created a series of posters that cast Simpsons characters in classic and popular films, from A Clockwork Orange to The Dark Knight. Click through to see ten of our favorites, and visit Claudia’s DeviantArt page for the rest.

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One of our most anticipated titles at this year’s Sundance Film Festival (oh, yeah, did we mention we’ll be at the Sundance Film Festival? Because we totes will) is Room 237, a new documentary by Rodney Ascher about the obsessive fans of The Shining. According to Entertainment Weekly, one of them posits an intriguing two-part conspiracy theory. First, he holds that Kubrick “directed” the faked Apollo moon landings while shooting 2001 — itself a mere cover for his bigger job. (This one’s been floating around for years — hell, it inspired its own “mockumentary,” Dark Side of the Moon.) But here’s the kicker: the fan also contends that, since Kubrick would have faced dire consequences if he ever revealed his involvement in the moon landing, he instead smuggled clues into The Shining, using his Stephen King adaptation as a giant coded message to tell the world about the ruse.

“It’s a film-nerd love-fest,” according to Sundance programmer Trevor Groth. “These obsessive people dissect The Shining, and they’ve watched it thousands of times, all finding their own coded meaning and language in it.” Reading about Room 237, and salivating for it, got us thinking about some of our other favorite “film-nerd love-fests”; after the jump, we’ve compiled ten of our favorite documentaries about famous films.

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[Editor's note: While your Flavorwire editors take a much-needed holiday break, we're revisiting some of our most popular features of the year. This post was originally published August 10, 2011.] Earlier this summer, a shocking number of our readers flocked to read (and amend) our list of the harshest author-on-author insults in history. But you know who is even more childish, trifling, vindictive, and nasty than your favorite scribes? Your favorite filmmakers. These directors may not have quite the same precision with the written word as those rancorous authors, but when it comes to pettiness, they can’t be beat. After the jump, we’ll run down 30 of our favorite slights, slanders, and cheap shots from filmmakers both classic and contemporary; we’d love to hear yours in the comments.

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Hey, guess what: 2012 is like, four days away. Exciting, eh? Well, aside from that whole Mayan calendar/end of the world business. And that there’s going to be a Presidential campaign all damned year, and the economy’s still in the toilet, and Community is on a “hiatus”… On second thought, 2012 is already looking pretty terrible, and it hasn’t even started yet.

No, wait! There will be new movies! Many, many new movies. And don’t kid yourself: plenty of them are going to be terrible (I mean, there’s a Battleship movie coming out, for God’s sake). But some of them look awesome! So in the spirit of cautious optimism, join us after the jump for a look at ten 2012 releases that we’re genuinely looking forward to.

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Here’s a project that’s sure to divide the Quentin Tarantino faithful: YouTube’s The Crime Writer has posted a re-cut version of Pulp Fiction – all two-and-a-half hours of it — that puts the film’s events in chronological order. Of course, the structure Tarantino imposed on the movie was complex and purposeful; it heightens suspense and creates the kind of confusion that keeps viewers on their toes. But The Crime Writer’s project is thought-provoking, at the very least. As Marc Campbell at Dangerous Minds points out, “It’s an interesting experiment that illustrates how editing can alter the dynamic of a film.” If you have a few free hours on your hands, watch Pulp Fiction in chronological order and let us know if it changes your perspective on the movie. Read More »

Shame, a candid and powerful look at sexual addiction from director Steve McQueen (no, another Steve McQueen) is out in limited release tomorrow, and as we reported last month, it’s going out with the NC-17 rating—no children under 17 admitted, under any circumstances. The rating, many have surmised, is due to the film’s copious male nudity, and that’s how the American ratings system works: all the naked ladies you want, but the erect male member= automatic NC-17.

The rating was initiated by the MPAA back in 1990, and was intended to be an alternative to the porn-stained (if you’ll pardon the pun) X rating; NC-17 movies, like Henry & June (the inaugural film to carry the rating), Bad Lieutenant, The Dreamers, and Lust, Caution would be for adults, by adults. But it quickly became the kiss of death for filmmakers and distributors. Just as with the X rating before it, newspapers and television outlets wouldn’t carry ads for NC-17 films, while larger theatrical chains and home video outlets refused to carry them. Smaller films would take the mark or (as Kids and Happiness did) go out unrated, while the editing process for big releases became something of a con game: if a film was rated NC-17, the distributor would make the trims necessary for an R-rating, enjoy the publicity, and then restore the cut material for the inevitable “unrated” DVD release (frequently carried by the very chains that refused to stock NC-17 films). By the late 1990s, studios wouldn’t even bother with the first step, cranking out unrated versions of raunchy comedies and adult thrillers as a standard step in their home video release plans.

While the politics of who gets an R and who doesn’t are shady at best (check out the terrific documentary This Film is Not Yet Rated), we can’t help but wonder about what would have happened if the NC-17 could have been what its creators wanted it to be. Fox Searchlight’s decision to release Shame with the scarlet letters/numbers has prompted another round of “will the NC-17 finally become respectable?” questions (answer: dubious), but what if that question weren’t necessary, because the NC-17 had never been stigmatized? Had that been the case, we might have seen the uncut movies we’ve assembled after the jump. Read More »

There’s a terrific little movie coming out tomorrow called London Boulevard (it’s available now on demand as well), a tough British gangster flick along the lines of The Long Good Friday or Mona Lisa, starring Colin Farrell and Keira Knightley and directed by William Monahan, who wrote The Departed. But his stylish direction and their charismatic performances aren’t why I can’t get the picture out of my head. It’s because of the Yardbirds.

Three times in the film (the opening credits, the closing credits, and a key point in-between), Monahan fires up “Heart Full of Soul,” the marvelously moody blues-rocker from 1965. It’s a great song, but it’s so well-matched to the film that they’re now all tied up together in my head; it’s pretty safe to bet that any time I hear that song from now on (which, being a Yardbirds fan, will be more often than you’d think), there will be an image of Farrell on his jail cot to accompany it.

And that’s the power of a well-chosen music cue in film; when they’re properly matched, we’ve suddenly married them, and anytime we hear that song we see that scene, and anytime we think of that movie, we hear that song. After the jump, we present ten songs that are forever tied to the movies that showcased them (and, just to keep it fair, there’s no songs from “musicals,” and no songs that were composed specifically for the film in question). Agree, disagree, and add your own in the comments. Read More »

1. It’s official: Shooting on Skyfall, the 23rd installment of the James Bond franchise, begins on Monday. Joining Daniel Craig for the Sam Mendes-helmed project (which it should be noted, will not connect with Craig’s previous two Bond films, plot-wise): Academy Award winner Javier Bardem, who was previously cast as the villain — although it’s not confirmed yet whether or not he’s playing Blofeld. [via Deadline]

2. “I’m sure it wouldn’t have happened if I were a man. What other people think of me is none of my business but that doesn’t mean it doesn’t hurt my feelings… My mood changes about it depending on the day. In general, you don’t want anyone to say anything bad about you.” – Lana Del Rey discusses her detractors

3. Wu-Tang’s RZA — who scored both Kill Bill films for Quentin Tarantino — is the latest actor to join the cast of his anti-slavery spaghetti Western, Django Unchained. At this point, the star-studded ensemble already includes Jamie Foxx, Kerry Washington, Leonardo DiCaprio, Don Johnson, Joseph Gordon-Levitt, Anthony LaPaglia, Misty Upham, Gerald McRaney, and M.C. Gainey. [via Variety]

4. The Peter Jackson-directed second Tintin film will not be based on Prisoners Of The Sun, as was previously rumored. Instead, that book may be the plot of Tintin 3, leaving the storyline for the sequel still up for discussion. [via Slashfilm]

5. The world premiere of Edward Albee’s new play Laying an Egg — which was set to makes its Off-Broadway debut in February — has been indefinitely postponed. Explains artistic director James Houghton: “All good things are well worth the wait, and most certainly a new play from one of our most treasured playwrights is no exception.” [via Guardian]

Bonus Buzz: Zach Galifianakis Stand Up From 1999

Today at Flavorpill, we almost projectile vomited over a concept photo for real skin stiletto heel implants. We made mental note of TIME’s Halloween costumes that everyone should avoid this year. We were excited to see that Faile is the next artist taking over the Bowery mural space — it will be a nice change of pace from JR. We learned how much money Paula Deen really makes, and for doing what. We wondered who at H&M thought it was a good idea to launch a line of clothes inspired by Lisbeth Salander. We thought it was totally creepy that Muammar Gaddafi had “Libya’s best composer” write Condoleeza Rice a love song, and that it was called “Black Flower in the White House.” We were happy to hear that the lovely Kerry Washington has landed the female lead in Quentin Tarantino’s Django Unchained. And finally, we wondered how George Lucas feels about Steven Spielberg’s recent interview with Empire Magazine; even though Spielberg refers to Lucas as his best friend, he also totally throws him under the bus for how much Kingdom of the Crystal Skull sucked.