Another Happy Day
It’s like the Mad Men intro went to the water park.
It’s a no-brainer that a film steeped in silent-era nostalgia should have a poster that harkens back to those same aesthetics — but the result is still gorgeous.
You can’t really beat a poster that uses beautiful photography to capture the kind of dramatic explosion that will send viewers scrambling to IMDb to figure out what the hell this movie is actually about.
The Black Power Mix Tape 1967-1975
Bold. Iconic. Totally ’70s. We want this for our wall.
It’s as bright and glossy as any other poster for a mainstream comedy, but it was absolutely brilliant to line up the scowling bridal party along a brick wall like they’re James Dean or The Ramones.
Ah, minimalism. Overused in unofficial movie posters that go viral on the Internet, but sorely underused in official posters that advertise movies.
Clever and appropriately terrifying.
Another poster that manages to get across the entire aesthetic of the film it’s advertising. Bonus: It’s also a big, soulful portrait of Ryan Gosling.
If you make a film about a metal guy and the poster isn’t done in the style of a crumpled-up, homemade metal show flyer, then you don’t deserve to make a film about a metal guy.
Hobo with a Shotgun
A poster that confirms that this film is a B-movie lover’s B-movie.
Into the Abyss
This somber image tells you all you need to know about Werner Herzog’s death-row documentary.
A bright, druggy, ’90s rave-reminiscent poster perfectly captures the vibe of a movie that is basically one long, strange, pleasurable party (at the end of the world).
Madea’s Big Happy Family
We’re still not fans of the Madea movies, but this Black Swan parody deserves a slow clap.
More minimalism, tons of Occupy Wall Street synergy.
Martha Marcy May Marlene
It’s absolutely perfect that Elzabeth Olsen’s face is partially obscured in a poster for a film that slowly delves deeper into her character’s scarred consciousness. There’s a sense of quiet tension in the movie that absolutely comes through in the design.
It’s hard to decide which is better: the design of this poster, which draws on the old-fashioned, Wild West color palette without going the tea-stained paper route, or the fact that it shows freaking Michelle Williams brandishing a freaking shotgun.
Crisp, beautiful photography. Ophelia. Kirsten Dunst in her wedding dress. That look on her face. The absolutely true tagline. Masterpiece.
The Muppets couldn’t resist parodying Twilight, and we can’t resist loving them for it.
The Myth of the American Teenager
What can we say? We’re suckers for poster art that looks like it could be ripped out of a coming-of-age graphic novel.
Our Idiot Brother
We think it gets the point across pretty well.
If only the film had been as clever as the poster.
Considering what this movie is actually about, the poster could have been horrifying. This is tasteful, but still hints at where Steve McQueen, et al, are going with the film.
The rare purposely sloppy, hand-painted movie poster. There’s a lot of desperation going on here. Is Ellen Barkin supposed to look like a sad clown? We hope so, because we love it.
Mod’s not dead! Way to situate us in a time and place.
Obvious, but well executed.
The Tree of Life
There were so many beautiful shots in this film, it would have been impossible to pick just one for the poster. The result is kind of overwhelming, but then, so is the movie.
Uncle Boonmee Who Can Recall His Past Lives
This lovely poster is, as you might have guessed, by Chris Ware.
Very effective appropriation of universally recognizable imagery. And the blood just makes it a touch more chilling.
We love the color scheme, but we’re also impressed by the way Paul Giammati and Alex Shaffer’s faces just say everything.
A movie poster that will warm the cockles of any early-’90s YA lit fiend’s heart.