10 Short Story Collections That Feel Like Novels


Karl Taro Greenfeld’s Triburbia was one of our favorite novels of this summer — but is novel even the most precise word? In truth, the book is collection of linked short stories revolving around a neighborhood, a master patchwork that has both the feel of a solid, complete novel and the flexibility of a collection. We asked Greenfeld to tell us about some of his other favorite collections of linked stories that either feel like novels or are billed as such, he obliged.

Greenfeld tells us: “Before I wrote Triburbia, my novel-in-stories set in the Tribeca neighborhood of Manhattan, I had always read and enjoyed linked collections of stories. At their best, they reminded me of the Disney short film “Nature’s Half Acre,” in which a tiny meadow is observed by time-lapse camera and micro-photography over the course of four seasons and we get to see all these changes, particularly among the plants and insects, that the naked eye would never normally detect. (When a mouse or a rabbit shows up in that film, it’s a big fucking deal.) That was my goal when I was writing Triburbia — I wanted to illuminate this one little ecosystem — and I often looked to and thought about these collections of linked stories as I wrote Triburbia.” Click through to check out his picks, and if he didn’t select your favorite, be sure to add to his list in the comments.

The Wanderers by Richard Price

This 1974 collection of stories by the author of Clockers is both a multi-perspective rendering of the Bronx, circa 1963, but also a great coming of age book. Price deftly dips in and out of the lives of a group of gang members, the eponymous Wanderers, with each story related to those that came before but also standing alone. Price was just 24 when he wrote this, and masterfully conveys the confusion, anxieties, and violence of boys becoming men.

A Hollywood Education: Tales of Movie Dreams and Easy Money by David Freeman

Freeman, a former magazine writer turned screenwriter, came west during the early ’80s and wrote this collection of ripping yarns about showbiz. Each story in the collection is accretive, the dead pan tales of coke crazed producers, needy starlets and, of course, neurotic screenwriters, adding up to a kaleidoscopic view not just of Hollywood, but of American culture itself.

The Delicate Prey by Paul Bowles

Haunting and terrifying, this book of short stories has as its central theme a kind of anti-globalization as it explores the horrible consequences of inter-cultural clashes. In the title story, a tribesman is emasculated, dressed in a gown with tin-can tops hanging from it so that it jangles as he moves and is forced to perform as a kind of eunuch dancer for a rival, brutal nomadic tribe. The stories are linked more by barbarism than location or character, and left me with the wary impression that as I traveled, I was equally likely to end up in the village in Hostel as in a Club Med.

Winesburg, Ohio by Sherwood Anderson

Published in 1919 and sub-titled “A Group of Tales of Ohio Small-town Life,” Winesburg, Ohio exposed the desperation and loneliness of so many of the residents of a small, mid-American town. It was among the first books to take on what would become a central theme in American literature, rendering a kind of proto-suburban angst that would be taken up by Updike, Cheever, Franzen, etc.

Midaq Alley by Naguib Mahfouz

This is among the Nobel-prize winning Egyptian writer’s lesser works, yet it powerfully evokes post-WW II Cairo with memorable characters all living on one Cairo alley. Published in Arabic in 1947, Midaq Alley’s English translation evokes Dickens at his most squalid as we are introduced to hash dealers, a cut-rate dentist who steals teeth from cadavers, and a character called The Cripple Maker who breaks children’s legs with a brick so that they may beg more effectively.

A Girls Guide to Hunting and Fishing by Melissa Bank

The book that launched chick lit — or at least was partially responsible along with Helen Fielding’s Bridget Jones’ DiaryA Girls’ Guide is a great read for dudes as well. These linked stories came out in 1999 are set in NYC, and while they cover similar terrain as Candace Bushnell did in her “Sex and the City” columns, Bank writes about being young and looking for love with an earnestness and pathos that gave her characters much greater depth and empathy.

Wrecking Yard by Pinckney Benedict

This book felt to me like the inverse of Raymond Carver’s desperate white males living in drunken, suburban squalor and betrayed by America’s industrial decline. The characters in Wrecking Yard, on the other hand, feel like they are a half-generation or less removed from living in caves and have been bypassed by the entire industrial revolution. There is a hill-billy savagery to this book that feels as illuminating of the darker parts of America’s soul as anything Carver wrote.

Dirty Havana Trilogy by Pedro Juan Gutierrez

These stories set in Havana during the early ’90s all focus on one central character, Pedro Juan, who romps through a series of loosely connected vignettes that primarily involve marijuana and copulation. The narrator goes from odd job to odd job, at one point selling human livers to state-run restaurants. The book shines light on what even back then was already a society in decay and crisis, yet never loses its humanity or sense of humor.

Odessa Tales by Isaac Babel

Benya Krik, the Jewish gangster at the center of these stories of life in Odessa’s Jewish ghetto before the Russian Revolution, was a literary mobster ahead of his time as he was written with all the humanity, love of family and sly humor that would later make mafiosos such tele-and-cinema-genic figures in American pop culture. The book weaves intense and specific narratives to produce a vivid picture of pre-revolutionary Russian life.

Speed Tribes by … me

This collection of stories about Japanese youth culture all set in Tokyo, published as non-fiction in 1994, was my love letter to Tokyo and became, in a strange way, the road map I used when writing Triburbia. While each of Speed Tribes‘s characters — the gangster, the biker gang leader, the porn star, the hostess, the rock star — were distinct, the collective picture that emerged of bubble-era Tokyo was, I hoped, the most vivid written by any Westerner. I tried to draw the same sort of literary map, and not repeat some of the same mistakes, when writing Triburbia.