There must be something in the water this spring — that’s the water the publishing industry all drinks, that is. This month, Algonquin is publishing Jill McCorkle’s novel Life After Life, and in April, Reagan Arthur/Little, Brown will come out with Kate Atkinson’s, er, Life After Life. Oops! Both novels, as it happens, are quite good (and are sharing top billing as the American Booksellers Association’s Indie Next Pick in April), and we’re looking forward to “accidentally” having to buy them both. Intrigued by this phenomenon, we dug around for other examples of two great books sporting the same title — though none of our other pairs were born so close to one another. Check them out after the jump, and let us know if we missed any of your favorite titular doppelgangers in the comments.
McCorkle’s novel is a witty look at the residents, staff, and hangers-on at Pine Haven retirement center; in Atkinson’s darkly comic book, Ursula Todd spends her life (after life) dying over and over again, trying to get it all right.
As much as we love David Mitchell’s Cloud Atlas, all brilliant storytelling and twisty spirals through time, we have to admit that we feel the success of the novel and the high publicity level of the film have unfairly marginalized Liam Callanan’s similarly titled and similarly excellent novel, a luminous adventure story of a young soldier in Alaska circa WWII. Any book that includes “arctic hysteria” is fine by us. Also read Callanan’s hilarious “Ways In Which The Movie ‘Cloud Atlas’ Has Changed My Life.”
Now, perhaps it might not be exactly the same person who would want to read both of these books, but they’re both great in their own right — Byatt’s a Booker Prize-winning story of romance between scholars that dunks you and doesn’t let go, Rule’s a #1 New York Times bestselling psychological suspense novel from a master of true crime.
A wonderful bestselling novel from a modern master and a wonderful, oft-challenged novel from an only slightly less modern master. One’s about immortality, the other’s about teenagers having sex. Both are perfect.
Here’s another pairing of a literary novel, Choi’s brilliant investigation into paranoia and American experience, with a great crime book, Schwegel’s taut Chicago police procedural.
These two couldn’t be more different: a new memoir from a Pulitzer Prize-winning literary giant, and a 2007 YA novel about a teenage girl’s afterlife. They’re both pretty damn good, though.
Now, this one’s a bit of a cheat, since Acker’s postmodern marvel is in direct dialogue with Dickens’s classic sprawler, and even closely mimics its opening — but the two are so different in time and space and project that we couldn’t help but include them.
How apt. Doubling is a theme that has wandered through many of our favorite novels, and so too do Dostoyevsky’s famous novella and Saramago’s contemporary mirror each other with all their internal mirrors. Whew.
Erm, maybe a certain someone should work on coming up with more inventive titles for his books? Saramago’s sparse, finely crafted parable and Krabbé’s psychological thriller both deal in darkness here.
Two undisputed masterpieces, written 360 years apart.