The wedding at first seems to be a near miss: they are grateful for what it is not, unable to see what it is about to become. (Even the fool Edmure is relieved he’s not marrying an ugly girl.) Robb and Talissa are thinking sweetly about how their love marriage was the right choice, about the baby they are about to have, when they are really at a huge party celebrating their death. This is consistently the most impressive thing about “Game of Thrones”: even as you root for certain characters and families, you can see— with your mind, if not your heart— that it’s all a matter of perspective. If we were watching the story through the Freys’ eyes, this episode would have been a rousing tale of a perfectly hatched plan, so meticulously plotted they hired a band to play a dirge when things got grisly…But instead we are with the Starks, and the end of this episode hurt.
— Willa Paskin, Salon
I was prepared for rough shit to go down. I figured that Robb was in trouble, one way or another…But I didn’t expect the sheer brutality of the final scene, nor did I expect such a high body count, nor nasty little twists like Roose Bolton delivering the final blow with “the Lannisters give their regards” (an echo of his kiss-off line to Jaime a few weeks ago) or Arya being there, once again, to see the Starks decimated and her hopes lost. Oof. I can only imagine what the unspoiled are thinking. My Twitter feed has certainly been blowing up, but not with much consternation or rage, more like melancholy and exhaustion and a feeling of shellshock. There’s no way the show can’t cut to black after Catelyn’s throat is slit. But that’s also an upsetting, tragic note that’s impossible to forget. It’s haunting stuff, and it’s to Game Of Thrones’ credit that the scene hits as hard as it does.
— David Sims, AV Club (newbies recap)
One of the things that TV and film have on books is the way that they can drive home the shock of a particular emotion. For instance, when reading the Red Wedding sequence in A Storm Of Swords, it’s tempting to either slow down a bit or read even more quickly, both the better to minimize the impact of what’s happening (though, as you can probably imagine, the impact is hard to minimize)… On TV, you can’t really do that. The Red Wedding is a bravura scene, but it goes so quickly. Catelyn realizes what’s up—hell, Roose’s contributions to the scene are mostly condensed into a smirk—and then all hell breaks loose. Talisa is getting stabbed over and over in the gut, Robb gets shot with dozens of arrows, and Cat herself takes an arrow to the back. (For a time, I thought the show might avoid the terrible end of this chapter—where she has her throat slit—by having her play dead and survive to fight another day, since Michelle Fairley’s been such a valuable part of this ensemble. But no!) It feels like it’s over within seconds, even though it takes a few minutes. It’s awful and horrible and everything the sequence needed to be, and it marks a new high watermark for the series as a whole.
— Todd VanDerWerff, AV Club (experts recap)
So after the dust settles, the blood congeals and everyone has done screaming ‘Holy shit’ and swearing they’re breaking up with the show, we’ll all have to admit that not only was the Red Wedding an outcome fully in line with the themes and tone of the show (nowhere is safe, words/promises are just illusions, love does not last) but that it was also very clearly telegraphed by the scenes leading up to it. If you had not read the books, what would have tipped you off the most that something truly devastating was about to happen, and why? Suggestions: Walder’s obvious contempt for Talisa; his line “the wine will flow red”; Roose Bolton’s sobriety (and everything else about Roose Bolton); the fact that everyone seemed to be happy, for once; the title of the episode.
— Drew Grant and Noam Cohen, The New York Observer
Shout out to io9 and @RedWeddingTears for collecting the best of the Twittersplosion:
Let’s check in on the “Robb Stark” Tumblr tag:
Facebook isn’t doing much better:
The Cast and Crew — and George R.R. Martin
“Essentially, as soon as I got the job, people managed to spoil [Robb’s death] for me. They’d be like, ‘Oh, my God, your death, that was so terrible!’ And you’re like, ‘What? Oh, right.’…I just hope people really enjoy the surprise of it. I hope a lot of people haven’t been as stupid as I was and googled that kind of thing before the time came. I learned that lesson very quickly in Season One, to not google things, because there’s too many people who will just tell you everything – which is great for research purposes, but not great dramatically.” — Richard Madden, Rolling Stone
“I read the series so I knew what was coming and I also knew how many years I signed for. And it’s something that anyone who’s read the books will talk about it. So people take great delight in knowing what’s going to happen to you. There’s something incredibly dramatic and brutal about The Red Wedding, the shock of it. I met somebody who read it on the plane and they were so disgusted and heartbroken they left the book on the plane. It’s a challenge; it’s a life-or-death situation. For an actor to be given that part to play, you want to grab it and go straight into it. I loved it, absolutely. It was my favorite bit of filming in whole series.” — Michelle Fairley, EW
“One of the things that make people respond so strongly in George’s writing, and hopefully the show, is it’s not that nobody ever triumphs over adversity. Like Daenerys [unleashing her dragon] in the Plaza of Punishment is such a rousing “f–k yeah!” moment. It’s mixing up those moments with somebody making a horrible mistake and paying the worst possible price. If everything was gruesome and terrible all the time you’d always know what was going to happen since it would always be the most gruesome and terrible thing. The range of different possibilities that play out makes it more real because that’s what the world is like. Sometimes wonderful things happen and sometimes horrible things happen.” — D.B. Weiss, EW
“That was the hardest scene I’ve ever had to write. It’s two-thirds of the way through the book, but I skipped over it when I came to it. So the entire book was done and there was still that one chapter left. Then I wrote it. It was like murdering two of your children…It’s going to be hard for me to watch it [on the show]. It’s going to be a tough night. Because I love these characters too. And in a TV show you get to know the actors. You’re also ending that relationship with an actor that you have affection for. Richard Madden and Michelle Fairley have done an amazing job.” — George R.R. Martin, EW
Memes, Videos, and More
“We still have Bran!” “BUT HE’S BORING!”
“Red Wedding,” sung to the tune of Billy Idol’s “White Wedding.”