Fernando Natalici (photographer), production still showing Debbie Harry in The Foreigner by Amos Poe, 1977; RC (resin coated) print developed from the original 35mm negative, early 1990s; 5 x 7 in.
Photograph is inscribed and signed by the photographer on the reverse: “Debbie Harry, The Foreigner – 1977, Natalici”
Richard Kern (photographer), David Wajnarowicz in Manhattan Love Suicides, 1985; commercially produced contact photo print, 8 x 10 in.
Pencil inscription and rubber stamp on reverse: Photo also has an inscription in pencil on the back, “David Wajnarowicz in ‘The Manhattan Love Suicides’ a 1985 film by R. Kern May 10 at 223 W. Bway.;” stamped “© R. Kern”
One of four publicity photographs for Charlie Ahearn’s Wild Style, 1982; commercially produced contact photo prints made in conjunction with the first New York screening, 10 x 8 in. (each).
Martha Cooper (photographer), “Patti Astor and Crazy Legs in WILDSTYLE, 1982;” This image contains an ink inscription: “Patti A. rock the house ’82;”
One of four publicity photographs for The Offenders, 1979; commercially produced contact photo prints, 10 x 8 in. (each). Each photograph has a sticker on the reverse with ink inscriptions
“Adele Bertie & John Lurie in Scott B & Beth B’s The Offenders, copyright 1979 B Photo”
One of three film stills from Gordon Stevenson’s Ecstatic Stigmatic, 1980; photographic prints likely made from the original film strip, 10 x 8 in. (each). Each photo is inscribed in ink on the reverse: “Ecstatic Stigmatic.”
Poster for Anders Grafstrom’s Long Island Four & MWF Catalogue, 1986
“Now Shooting, David McDermott, Bradly Field, Lance Loud, Kristian Hoffman in a film by Anders Grafstrom, The Long Island Four;” Monday/Wednesday/Friday Video Club poster (1986) incorporating the original poster design of Anders Grafstrom (1979); photocopy, 17 x 11 in.
Monday/Wednesday/Friday Video Club catalogue, 1986; 8 pages with 1 page insert, offset print, 10 x 8 in. Includes listing for Long Island Four by Anders Grafstrom and many other No Wave and Independent Films.
X Motion Picture Magazine, February 1978, a Colab publication assembled by the X Collective and coordinated by Jimmy de Sana, Colen Fitzgibbon, Lindzee Smith, and Betsy Sussler. Offset on newsprint paper; cover image selected by Michael McClard, 11 ½ x 14 inches, 60 pages.
Fernando Natalici (photographer), production stills from Unmade Beds by Amos Poe, 1976; RC (resin coated) print developed from the original 35mm negative, early 1990s; 5 x 7 in.
Photograph is inscribed and signed on the reverse by the photographer: “Duncan Hannah and Amos Poe, 1976, Unmade Beds Film Shoot;” this photograph is also inscribed on the front with silver ink.
“Charlie Ahearn Presents Nathan Ingram in The Deadly Art of Survival,” 1979; movie poster designed by Charlie Ahearn, hand painted silk screen print, 22 1/2 x 29 1/2 in.
Amos Poe’s Autograph #2, Number 2, August 15, 1977; 12 page magazine, offset on newsprint paper, unfolds to 17 x 11 1/2 in.
Anya Phillips, Domanatrix at Large inside Autograph #2