Those of us who walked the slums of Shaolin know that Ol’ Dirty Bastard’s Return to the 36 Chambers: The Dirty Version has recently hit its 20th anniversary. Open up Spotify and let Dirty’s dulcet tones provide a proper background for this essay filled with first-hand accounts of what it was like to know the Wu-Tang legend. Compliment it with this extremely thoughtful piece on what the music of Kendrick Lamar, Drake, and Kanye West respectively represents in both contemporary hip-hop and American racial politics.