Will Smith in “Concussion.”
Concussion : Director Peter Landesman’s dramatization of Dr. Bennet Omalu’s crusade against the National Football League came and went from theaters (and awards season) rather quietly at the end of the year, and it’s easy to see why: his low-key approach to the material, clearly influenced by Michael Mann’s The Insider, perhaps wasn’t the sort of barn burner audiences and voters were looking for. But it’s a modestly powerful picture that tells an important story, and the performances by Will Smith (grounded, passionate, just plain good) and Albert Brooks (stealing scenes without breaking a sweat) are top-notch. (Includes audio commentary, featurettes, and deleted scenes.)
ON BLU-RAY
Bicycle Thieves : Vitorrio De Sica’s 1948 masterpiece, first released by Criterion back in 2007, finally gets the Blu-ray treatment, and it’s well worth the upgrade; the new 4K restoration is dynamite, and though there are no new special features, the port-overs are choice. But the main attraction is obviously the film itself, a gritty and heart-wrenching portrait of poverty and struggle, told in the straightforward, unsentimental style that was a cornerstone of Italian Neorealism. Bracing and inspiring, it’s one of the finest films ever made, full stop, do not pass go, forever and ever, amen. (Includes interviews, featurette, and documentary.)
A Poem Is a Naked Person : The great documentarian Les Blank shot this portrait of rowdy and gifted musician Leon Russell between 1972 and 1974, but due to legal woes and creative differences, it didn’t see a proper theatrical release until last year. Now it makes its (legal) home video debut via Criterion, and it’s a peach – loose-limbed and go-with-the-flow, much like its subject, with an impressionistic and observational style that just kinda drifts through Russell’s world, in something of a (presumably marijuana-induced) haze. Blank is unsurprisingly more interested in the freaks and weirdos around Russell – he especially digs the folks near the musician’s Oklahoma home, adding cheerful subtitles to vernacular delights like “liked to come unglued” and “this, that, n’ the other” – but he ends up with a fascinating snapshot of road life: hanging out, chatting up groupies, getting married, philosophizing about finding yourself, rambling about snakes, and occasionally, when the mood strikes, playing some music. (Includes documentaries, interviews, and trailers.)